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类型:动作片
主演:西德尼·波蒂埃 汤姆·贝伦杰 柯尔斯蒂·艾利 克兰西·布朗 理查德·马
导演:罗杰·斯波蒂斯伍德
语言:英语
年代:未知
简介:阔别银幕十一年后,西德尼·波蒂埃选择回归,出演一部动作冒险片。他饰演一位追捕凶手的联邦调查局特工。他有充分的理由想要抓住这个家伙。他的猎物冷酷无情,杀人不眨眼。波蒂埃失去了一名人质和他索要的赎金。但一些优秀的侦探工作追踪到凶手在太平洋西北部的一个偏远地区。凶手在那里再次杀人,并加入了一群由柯尔斯蒂·艾利带领的干蝇钓鱼者,潜入崎岖的山区。登山家兼隐士汤姆·贝伦杰认为,像波蒂埃这样的城市孩子不适合待在这儿,因为他具备完成这项工作所需的必备技能。这两个人被迫结成一个麻烦的联盟。
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类型:伦理片
主演:伊莎贝尔·莎露妮 Alba Solís Víctor Tasca Os
语言:西班牙语
年代:未知
简介:阿根廷性感女神Isabel Sarli 最出名的一部CULT影片。Isabel Sarli 在《Carne》中饰演 Delicia,一名肉类冷藏厂的年轻处女工人。在影片中,她一次又一次地在冷藏车后面被几个粗鲁的工友强奸,直到她的男朋友救她时才稍稍晚了一步,她的男朋友是唯一一个能透过她“美味的肉”看到她纯洁灵魂的男人。一部“媚俗”的杰作。Delicia (Isabel Sarli) 是一家肉类包装厂的工人,她在那里成为强奸犯的受害者。在她与男友做爱后,她被工人们轮奸,工人们在冰箱里放着一张冷冻牛尸体的床作为强奸地点。她的情人是一位涉足绘画的理想主义艺术家,他发现了这一侵犯行为,并在一场激烈的拳击比赛中对罪犯进行了报复。影片中充斥着荒谬的对话,特别是在强奸之后的一个场景中,两名男子走近德利西亚,她问道:“你们到底想干什么?”
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类型:纪录片
主演:谢恩·阿特沃尔 RhysBailey AnikaBoyle Chris
语言:英语
年代:未知
简介:WithStrangerThings:TheFirstShadowlaunchingitsfirstpreviewperformancetonightonBroadway,NetflixhasannouncedBehindtheCurtain:StrangerThings:TheFirstShadow.Followthecastandcrewastheyraceagainsttimetopreparetheambitious,criticallyacclaimedWestEndstageplay,whichopenedatLondon’sPhoenixTheaterinDecember2023.StrangerThings:TheFirstShadowiswrittenbyKateTrefry(“StrangerThings”),basedonanoriginalstoryby“StrangerThings”creatorstheDufferBrothers,JackThorne(HarryPotterandtheCursedChild),andTrefry.ServingasastandaloneprequeltothehitNetflixseries,theOlivierAward-winningplayisdirectedbyStephenDaldryandco-directedbyJustinMartin.
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类型:科幻片
主演:格兰特·威廉姆斯 Randy Stuart April Kent 保罗
导演:杰克·阿诺德
语言:英语
年代:未知
简介:在这1957年科幻片中,一个男子突然迅速缩小。格兰特·威廉姆斯饰演这名不幸受害者,因为遭到辐射而一周减一寸,他能找到恢复身高的疗法吗?
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类型:科幻片
主演:伊丽莎白·苏 凯文·贝肯 乔什·布洛林 金·迪肯斯 格雷戈·格伦伯格
导演:保罗·范霍文
语言:英语
年代:未知
简介:隶属于美国军方的某神秘机构,正在进行着一项隐形技术的研究。科学家塞巴斯蒂安·凯恩(凯文·培根 Kevin Bacon 饰)是这支小组的主要负责人,经过多年的努力,他们的研究在动物身上已经初见成效。急功近利的塞巴斯蒂安无视药物的不稳定性,执意在自己身上尝试。该药物的隐形效果非常出色,但是塞巴斯蒂安却无法恢复正常。为此,他的搭档琳达·福斯特(伊莉莎白·舒尔 Elisabeth Shue 饰)和马特·肯辛顿(乔希·布鲁林 Josh Brolin饰)抓紧解药的开发,而塞巴斯蒂安却越来越喜欢隐形的感觉,透明的状态让他可以为所欲为。为了保持现有状态,他变得丧心病狂…… 本片荣获2001年美国科幻恐怖电影学院最佳特效奖、2000年洛迦诺国际电影节观众奖。
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类型:科幻片
主演:Margarete Sch?n Theodor Loos Paul B
语言:其它
年代:未知
简介:Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.